Belief System

Belief System · Volume 30

Rastafari

1930 onward

This is the youngest tradition in the series with a real claim to be one, the smallest by adherents, and the one whose reach is most wildly out of proportion to its size. That disproportion is the volume’s question.

19 illustrations · 2:12

Watch & listen.

Follow the images with a narrated journey through the book.

A woman tends vegetables beside baskets while people follow paths between small hillside homes.
Cultivation in the Hills. Interpretive illustration connecting the chapter’s Pinnacle account with its hill settlement and subsistence agriculture. Chapter 18. AI-generated illustration; not a documentary photograph.
Interpretive illustration: Subsistence on the hillside
Subsistence on the hillside. Interpretive illustration of families tending small plots in a mid-twentieth-century Jamaican hill community. Chapter 18. AI-generated illustration; not a documentary photograph.
Interpretive illustration: A community's paths
A community's paths. Interpretive illustration of daily work in a Jamaican hill community. Chapter 18. AI-generated illustration; not a documentary photograph.
Interpretive illustration: Leaving the hills
Leaving the hills. Interpretive illustration of Jamaican families leaving a rural hillside settlement. Chapter 18. AI-generated illustration; not a documentary photograph.
Interpretive illustration: West Kingston streets
West Kingston streets. Interpretive illustration of residents and a music shop in mid-twentieth-century West Kingston. Chapter 18. AI-generated illustration; not a documentary photograph.
Interpretive illustration: What the records preserve
What the records preserve. Interpretive illustration of a modern Jamaican researcher studying historical press and records. Chapter 18. AI-generated illustration; not a documentary photograph.
Hand drums stand beside a microphone and reel-to-reel recorder in a small studio.
Drums Enter the Studio. Interpretive illustration connecting Rastafari hand-drumming with the chapter’s account of Jamaica’s recording industry. Chapter 9. AI-generated illustration; not a documentary photograph.
Interpretive illustration: Learning hand rhythms
Learning hand rhythms. Interpretive illustration of an elder sharing a drumming lesson in a Jamaican hillside camp. Chapter 9. AI-generated illustration; not a documentary photograph.
Interpretive illustration: Drums by the microphone
Drums by the microphone. Interpretive illustration of Jamaican drummers recording in an analog studio around 1960. Chapter 9. AI-generated illustration; not a documentary photograph.
Interpretive illustration: The sound-system yard
The sound-system yard. Interpretive illustration of a Kingston sound-system operator preparing a record for listeners. Chapter 9. AI-generated illustration; not a documentary photograph.
Interpretive illustration: Pressing the record
Pressing the record. Interpretive illustration of workers packing vinyl records in a 1960s production workshop. Chapter 9. AI-generated illustration; not a documentary photograph.
Interpretive illustration: Music through the neighborhood
Music through the neighborhood. Interpretive illustration of record exchanges and sound-system transport in 1960s Kingston. Chapter 9. AI-generated illustration; not a documentary photograph.
Plain record sleeves, tape reels and closed account books lie on a record-company worktable.
The Recorded Catalogue. Interpretive illustration connecting the chapter’s account of session fees and catalogue ownership with the material business of recorded music. Chapter 20. AI-generated illustration; not a documentary photograph.
Interpretive illustration: A session payment
A session payment. Interpretive illustration of a session musician receiving payment at a recording studio office. Chapter 20. AI-generated illustration; not a documentary photograph.
Interpretive illustration: Catalogues held abroad
Catalogues held abroad. Interpretive illustration of staff cataloguing tapes and records in a 1970s music office. Chapter 20. AI-generated illustration; not a documentary photograph.
Interpretive illustration: An estate in the records
An estate in the records. Interpretive illustration of a modern researcher studying music catalogue and estate records. Chapter 20. AI-generated illustration; not a documentary photograph.
Interpretive illustration: Commercial cannabis
Commercial cannabis. Interpretive illustration of a contemporary cannabis retail inventory counter. Chapter 20. AI-generated illustration; not a documentary photograph.
Interpretive illustration: A legal change on paper
A legal change on paper. Interpretive illustration of a researcher examining Jamaican legal records. Chapter 20. AI-generated illustration; not a documentary photograph.
Interpretive illustration: Culture and value
Culture and value. Interpretive illustration of an older Jamaican musician in a rehearsal room. Chapter 20. AI-generated illustration; not a documentary photograph.
Read the narration transcript
  1. Cultivation in the Hills

    Cultivation in the Hills. In 1940 Howell established Pinnacle, a commune in the hills of St Catherine — the movement’s one attempt at a landed economy: subsistence crops and, per the prosecution at his trials, ganja as the cash crop — and the state destroyed it in instalments: raided in 1941, broken up in 1954, finally cleared in 1958, its people scattering into West Kingston with their locks and their doctrine, which is one reason the movement’s next stronghold was a slum within walking distance of the recording studios; the dates are in the court and press record, the acreage and revenue are not, and where the figures should stand the text says UNVERIFIED.

    Read chapter 18
  2. Drums Enter the Studio

    Drums Enter the Studio. The drums walked into the recording industry: Count Ossie’s camp above East Kingston taught the burru-derived Rasta hand-drumming, and when his drummers backed the Folkes Brothers’ “Oh Carolina” — produced by Prince Buster around 1960 — Rastafari sound entered the Jamaican hit parade; the sound systems, and then Clement Dodd’s Studio One on Brentford Road and Duke Reid’s Treasure Isle, industrialised the channel, and by the mid-sixties the island’s popular music was carrying the movement’s drums, themes and men — including three Trench Town singers called the Wailers — while radio largely would not.

    Read chapter 9
  3. The Recorded Catalogue

    The Recorded Catalogue. The largest and most awkward fact in the movement’s economics: the value its culture generated went overwhelmingly to record companies and estates rather than to the movement — session men paid flat fees while catalogues compounded abroad, the Marley estate litigated for a decade after an intestate death and the catalogue’s subsequent sales involved sums the movement never saw — and the modern cannabis industry has commercialised the sacrament while practitioners still carry convictions under the laws that criminalised it, a fact Jamaica’s 2015 statute, which decriminalised possession and recognised sacramental use, acknowledges without undoing; enormous value, almost none captured, and the chapter says exactly that.

    Read chapter 20

Overview

Original cover of Rastafari
Coverage
1930 onward
Earliest secure evidence
1930
Transmission
the record

Map & audio guideAll 26 chapters

Rastafari is the only tradition here whose primary transmission technology is commercially recorded popular music: a doctrine distributed through a consumer product, to an audience that mostly did not convert and absorbed the theology anyway. The volume takes that seriously as engineering rather than as colour, and it takes equally seriously the two older machines that were not enough on their own, the reasoning session and the movement’s deliberate reconstruction of English to remove what its speakers identified as colonial assumptions. A transmission technology aimed at the grammar itself.

The coverage period and the earliest secure evidence are different dates. A tradition’s own account of its beginnings may differ from both.

From the Belief System account of Rastafari

Historical setting

The Coronation in the Newspaper

On 2 November 1930 Ras Tafari Makonnen was crowned in Addis Ababa as Haile Selassie I, King of Kings, Lord of Lords, Conquering Lion of the Tribe of Judah — and the event reached Kingston not by missionary or miracle but as press coverage, which several Jamaican preachers, independently of one another, read against the Book of Revelation and concluded that the King had come; a doctrine that arrived through mass media at its first moment is the volume’s whole story in miniature.

Chapter 1: The Coronation in the Newspaper

The Garvey Inheritance

The political vocabulary was already on the island: Marcus Garvey’s UNIA — its membership claims printed as the organisation’s own numbers — had made Africa a destination and a black king thinkable, and a pageant at his Kingston headquarters staged the coronation of an African king months before Addis Ababa staged a real one; but the famous prophecy attributed to him is disputed, and Garvey’s own recorded verdict on Haile Selassie, in his 1937 editorials, was contempt — the movement’s regard for Garvey was never reciprocated, and both halves are reported.

Chapter 2: The Garvey Inheritance

How it was transmitted

The Reasoning and the Groundation

The movement’s first machine was talk with a discipline: the reasoning session — unchaired, scripture-anchored argument in which doctrine is made, tested and remembered without any clergy to close it — and the groundation, the drummed assembly that binds the camps together; it is a complete oral transmission system and it worked, but its range was the yard and the hill, and a movement carried only by reasoning would have stayed a Jamaican one.

Chapter 7: The Reasoning and the Groundation

Word, Sound and Power

The second machine is aimed at the grammar itself: the I-words — I-and-I for me and for us, I-man, Ital, overstand for understand, downpression for oppression — a deliberate reconstruction of English on the stated principle that a word’s sound should not contradict its sense, built by speakers who identified the inherited language as a colonial instrument; it is a transmission technology for a worldview, installed syllable by syllable, and it travels inside every sentence a believer speaks.

Chapter 8: Word, Sound and Power

Texts and authority

The Canon That Never Closed

Rastafari has no creed, no catechism, no ordination, no membership roll and no body empowered to issue one — doctrine is made in reasoning and held by elders, which means the authority question every canon chapter in this series asks is answered here in the negative; the cost is genuine doctrinal range on first-order questions (who Selassie is, what repatriation means), the benefit is that no institution exists for a state to capture or a schism to fight over, and the chapter opens with that argument, not with a text.

Chapter 12: The Canon That Never Closed

The Stolen Book

The movement’s one text is the King James Bible, and it is read through an unusual hermeneutic that deserves this full chapter: the book is held to be the true history of the black race and a translation altered in transmission by the very powers the movement opposes — authoritative and suspect in the same breath — so reading is recovery: citing chapter and verse aloud, correcting “corruption” against the reader’s own inspiration, finding the black Messiah in the texture of the English text itself; the proof texts are quoted, in the King James rendering, because that rendering is itself the subject.

Chapter 13: The Stolen Book

Institutions and resources

The Missing Treasury

Every other volume in this series found an economy — temple estates, tithes, a waqf, a printing concession; Rastafari has no tithe, no collection plate, no central fund and no body that could hold one, and this chapter argues that the absence is the same fact as the absent canon: no centre, so no treasury — what exists instead is small and personal, the trades of men outside Babylon’s payroll (fishing, farming, craft, later the broom-making of one mansion), and the earliest recorded transaction in the movement’s history is Howell selling pictures of the Emperor at about a shilling, a figure that comes from his prosecutors and is labelled so.

Chapter 17: The Missing Treasury

Pinnacle

In 1940 Howell established Pinnacle, a commune in the hills of St Catherine — the movement’s one attempt at a landed economy: subsistence crops and, per the prosecution at his trials, ganja as the cash crop — and the state destroyed it in instalments: raided in 1941, broken up in 1954, finally cleared in 1958, its people scattering into West Kingston with their locks and their doctrine, which is one reason the movement’s next stronghold was a slum within walking distance of the recording studios; the dates are in the court and press record, the acreage and revenue are not, and where the figures should stand the text says UNVERIFIED.

Chapter 18: Pinnacle

Changes and divisions

Many Mansions

The movement’s own word for its divisions is taken from the King James rendering of John — “In my Father’s house are many mansions” — and it is doing real work: the Mansions are not denominations, because there is no communion to be out of; they differ along three axes — organisation, the status of Selassie, and separatism — and the differences were prefigured in the late 1940s by the House of Youth Black Faith, whose young “Dreadfuls” argued the older “combsomes” down and made the matted locks a covenant; the origin of dreadlocks itself is contested — camp discipline, Kenyan newspaper photographs, the Nazirite vow — and the volume names the positions rather than picking one.

Chapter 21: Many Mansions

The Order of the Nyabinghi

The eldest house is barely an organisation at all: the Nyabinghi Order — its name arriving in Jamaica through a 1935 newspaper article about a supposed African order sworn against the colonisers, a text now traced to Italian propaganda, which the young movement adopted and made its own — keeps the drums, the groundation calendar of imperial anniversaries, and the strictest Selassie-centred doctrine, and holds that organisation itself is Babylon’s habit; it is the movement’s liturgical spine, and it owns the assemblies at which the other houses must still drum.

Chapter 22: The Order of the Nyabinghi

Limits of the evidence

These limits are stated in the book before its argument.

  • Whether Marcus Garvey ever said “Look to Africa, where a black king shall be crowned.” The line is attributed to him everywhere and attested nowhere contemporary; the earliest attributions postdate the coronation, and the sentence is also attributed to the preacher James Morris Webb. It is reported in this volume as an attributed and disputed saying, never as a quotation — and what the record does show is printed beside it: Garvey’s own paper published sharply critical editorials about Haile Selassie in 1937.
  • How many Rastafari there are, now or at any date The movement keeps no rolls, and much of it regards being counted as Babylon’s business. The 2011 Jamaican census figure is printed as the census’s own number; the circulating global figure of “about a million” is an estimate with no defensible method behind it, and the volume says so each time it appears. The volume’s own framing — a movement of perhaps a million — is UNVERIFIED at its core, and that is stated on the first page it is used.
  • Pinnacle’s extent, population and revenue The founding (1940), the first raid (1941), the destruction (1954) and the final clearance (1958) are in the court and press record. The acreage and income figures that circulate are unsourced and are not printed. UNVERIFIED stands where a number would otherwise go, until a title deed or survey is found.

Read all 7 stated limits

Sources and reading

This article brings together the series’ existing overview and chapter summaries. The linked book page provides the full outline and bibliography.

  1. Daily Gleaner coronation coverageNovember 1930. the crowning as foreign news in Kingston
  2. Robert A. Hill, “Leonard P. Howell and Millenarian Visions in Early Rastafari,” Jamaica Journal1983. four preachers dated from late interviews; Howell’s millenarian sources
  3. Barry Chevannes, Rastafari: Roots and Ideology1994. Revival parentage; the four careers; Youth Black Faith; Bobo rule
  4. King James Bible1611. the movement’s own text: Revelation 5:5 and 19:16 against the imperial style
  5. Amy Jacques Garvey ed., The Philosophy and Opinions of Marcus Garvey1923–25. “the God of Ethiopia” read through Ethiopian spectacles
  6. UNIA, Declaration of the Rights of the Negro Peoples of the WorldAugust 1920. Africa for the Africans; red, black and green
  7. Marcus Garvey, The Black Man editorials1937. contempt for Selassie after the exile; paraphrased, issues not obtained
  8. Horace Campbell, Rasta and Resistance1985. Ethiopianism as anti-colonial politics; Mau Mau photographs and the locks

Browse all 56 cited sources

Illustrations are newly generated interpretations of themes in the book. They are not surviving artifacts, historical photographs or evidence for the events described.